In addition, Keulemans was prodigious in his output - he was commissioned to paint pictures of birds extensively throughout his career, and his prints were published continuously from 1868 to 1911. ed.) his ability to create accurate and vivid representations of birds gave him prominence in his field. Aside from this, a number of critics have rightly placed Keulemans above his contemporaries (Errol Fuller, "Extinct Birds" rev. The nature of scientific illustration places a premium on consistency. These generalisations have also proven to be the basis for unjustified criticism of his work (Lambourne, "The Art of Bird Illustration"). His work is characterised by its consistency, showing little change over the course of his career, and focused to an extraordinary degree on the rendering of fine detail. Also of note is a contemporary obituary of Keulemans which was recorded in the journal "British Birds" (1912). The only significant biography of him is by Jan Coldewey and Tony Keulemans, "Feathers to Brush", a book that includes a bibliography of the artist's publications, but which did not make reference to his single illustration in "The Journal of the Linnean Society". Dohrn, would eventually become the basis for a later description of a rare ibis, "Lampribis rothschildi" Bannerman. He did not publish an illustration of it, but his plate for "Acrocephalus brunnescens" in George Henderson's "Lahore to Yarkand" is similar.His notes and findings on the island of Principe, along with those of his colleague Dr. This is a drab bird about 14-16 cm., light brown above and on its flanks, and buff below. He is credited with describing a warbler, "Calamodyta (Acrocephalus) brevipennis" ("Nederl. Keulemans also wrote topics on spirituality, and claimed he had a premonition at the moment of death of one of his sons. He was the father of nine children and was married twice. He also spent some time collecting birds in Cape Verde and West Africa. One of his last great achievements was his contribution of over one hundred plates for Frederick Du Cane Godman's "Monograph of the Petrels" (1907-1910). He regularly provided illustrations for "The Ibis" and "The Proceedings of the Zoological Society." He illustrated many important bird books, including Buller's "A History of the Birds of New Zealand" (1873), William Vincent Legge's "History of the Birds of Ceylon" (1880), Daniel Giraud Elliot's "Monograph of the Bucerotidae" (hornbills) (1887-1892), Richard Bowdler Sharpe's "Monograph of the Alcedinidae (kingfishers)" (1868-1871), Henry Seebohm's "Monograph of the Turdidae (thrushes)" (1902), Osbert Salvin's "Biologia Centrali-Americana" (1879-1904), and Henry Eeles Dresser's "History of the Birds of Europe" (1871-1896). Keulemans) (June 8, 1842, Rotterdam - March 29, 1912, Ilford, Essex (now part of London)) was a Dutch bird illustrator. x W 21.38 in.Īrtist Biography: Johannes Gerardus Keulemans (J. Framed in a natural wooden frame.ĭimensions Without Frame: H 17.5 in. They live on top of the trees in forests and shrublands. Himalayan Monal Pheasants can be found in Afghanistan, Pakistan, the Himalayas in India, Nepal, Tibet, and Bhutan at heights of 7,874-14,763 ft (2400-4500 m) from sea level. Earth toned lithographic print depicting a family of Himalayan Monal Pheasants in a nest. About Naturalistic lithograph of birds by Dutch bird illustrator John Gerard Keulemans and German artist Joseph Wolf for Daniel Giraud Elliot's 1870s Monograph of Phasianidae.
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